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Emily Mortimer

Emily Mortimer is #7 in Top 10 sexiest movie assassins
Emily Mortimer


Emily Mortimer is an English actress. She began performing on stage, and has since appeared in several film and television roles, including 2000's Scream 3 and 2005's Match Point.
Emily Mortimer

Biography Early life

Mortimer was born in London, England, the daughter of Sir John Mortimer QC and Penelope . Her maternal grandfather was a pig farmer. She has a younger sister, Rosie, and a half brother, Ross Bentley. Mortimer studied at St Paul's Girls' School, where she appeared in several student productions. After St. Paul's, she moved on to Lincoln College, Oxford, where she read Russian, and performed in several plays. Before becoming an actress, Emily wrote a column for the Daily Telegraph, and was also screenwriter for a screen adaptation of Lorna Sage's memoir, Bad Blood.
Emily Mortimer

Career

Mortimer performed in several plays while studying at Oxford University, and while acting in a student production she was spotted by a producer who later cast her in a supporting role in a television adaptation of Dame Catherine Cookson's The Glass Virgin . Subsequent television roles included Sharpe's Sword. Her first film role was opposite Val Kilmer in 1996's The Ghost and the Darkness. Mortimer was then in the Irish coming-of-age story The Last of the High Kings, released later the same year. In 1998 she appeared as Kat Ashley in Elizabeth, and played Miss Flynn in the TV mini-series Cider with Rosie, which was adapted for television by her father.
Emily Mortimer

In 1999, she played three roles that raised her profile outside the UK: She was the ill-fated "Perfect Girl" dropped by Hugh Grant in Notting Hill, appeared as Esther in the American TV mini-series Noah's Ark, and was Angelina, the star of the film-within-a-film, in the upscale slasher flick Scream 3.

In 2000, Mortimer was cast as Katherine in Kenneth Branagh's musical adaptation of Love's Labour's Lost, where she met actor and future husband Alessandro Nivola. Mortimer changed her prim image in favor of a more provocative one when she appeared full-frontally nude in the 2001 film "Lovely and Amazing"